Archive for the ‘cool stuff’ Category

Airing my Unmentionables

airing-my-unmentionables

(AKA Cartoon Hour)

I’ve been scouring the web (and my memory) for a while now, trying to find some of my all-time favorite animated shorts. Each of these is great in its own way – although admittedly they will not be up everyone’s alley. My taste in animation tends provoke either “that’s awesome!” or “what have you been smoking?” Hopefully your reaction is the former.

Sub

by Jesse Schmal

When this first came on screen in the theatre, I went “ugh”.

The visual style initially reminded me of those interminable 1970s NFB shorts that they showed at school. The teachers always got us excited about seeing “a cartoon” and then showed us some dreary, unfunny piece of Canadian content. “Sub” reminds me visually of those, but it’s much weirder, and much funnier. You may not think it’s going anywhere at first…the humour is kind a slow simmer, but stick with it. It builds to an amazing conclusion in the final minute.

Little Cow

by Laszlo Kollar & Igor Lazin

OK, this is all about the audio, but if it doesn’t make you laugh…there should be an awrd for vocals this crazy.

Balance

by Wolfgang and Christoph Lauenstein

This is a vertiable antique, but I never get tired of it. It is so German, in so many ways.

At The Ends of the Earth

by Konstantin Bronzit

This is another “slow builder”. Enlarge it to full screen – there’s a lot of great detail. I love the mix of Warner Brothers style slapstick with Rowan Atkinson Pacing. Some nice potty humour in there as well.

Tango

Zbig Rybczynski

Often imitated, but never duplicated, this one is amazing mostly for its context. In the days of digital production, there would really be little remarkable about this. But in 1982, made by hand, it was quite a masterpiece of planning, synchronization and editing.

Genre-Bending

genre-bending

For as long as I’ve been listening to music, I have loved creating lists, mixes, and organizing my music collection in arcane ways that make sense to me (if noone else). Over the next few posts, I’m going to explore some of the threads that weave through my favorite music.

Unlikely Covers

I love when someone pulls a great song out of one sphere of music and into their own. Sometimes a great cover leads me to appreciate the songwriting of an artist I had never really paid attention to, like Warren Zevon covering Prince’s Raspberry Beret. Sometimes the brilliance of a cover is the way the song has been translated to a different genre,  like Luther Wright & the Wrongs’ brilliant take on Comfortably Numb by Pink Floyd (which happens to come from their hugely enjoyable album, Rebuild the Wall, which bluegrassifies Floyd’s whole album song-for-song). The joy of a cover can come from an unlikely pairing that  works better than would seem possible, suchn as Johnny Cash doing Hurt, originally by Nine Inch Nails. Now granted, Bob Rock was intentionally feeding Johnny an eclectic mix of songs to cover on those last few albums, but the power of the sone and the lyrics about addiction gain a real beauty and gravitas when sung by a man in the last years of a long, troubled life.  

My final and favorite example of what makes a great cover song is when an artist finds a song that so matches their persona, it seems like the song should have been theirs in the first place. I never, ever tire of hearing the Ramones rip out the theme from the 60′s TV theme to Spider-Man.

Two minutes of joy.